The Memory of You, 1976

It is from an earlier chapter
written decades ago, a page
penned right before Jimmy Carter and Nixon’s ghost
briefly took the stage.

It was all real, not an idle diversion
or sabbatical from the courses I’d run.
No, young nymph, you were my dear,
and I trust you knew my love

was palm to palm and always near
wherever we took our sport:
the Quarter, the lake, some dark tavern
or theater in which our fingers were laced and lapped,

if you catch my drift.
You always knew my inner gears,
the turning of unspoken words,
some fleeting thought not yet formed by lips

otherwise engaged in moist red dances
or afternoon gin and tonic sips.
And I knew your eddies and currents as well.
Not everyone can cast such a synchronistic spell.

We could have talked in pidgin for hours
and always known the warp and woof,
known what was yours and mine,
but mostly ours.

I wrote a much longer poem,
a message in a bottle
with all the whys and wherefores
on a parchment in palimpsest,

a metaphysical conceit
that unlocked all locked doors,
but what purpose would be served?
Since you could not wait for time and tide forever,

it is fitting that all righteousness be observed.
I occasionally sit in an abbey nave,
quite alone, counting saints.
St. Peter says my eye to you should not now roam.

St. Jude whispers that you, with grace,
have found a shining hearth and home.
I am glad, and tell him so,
for I could wish no less

than spinning wheels and looms
for one whose tapestry was so rich
and held the promise of gold
in each and every stitch.

My lost horizon will always have a bookmark
to hold the page, the months that passed that year,
but your couplet deserved a fitting rhyme
when my meter stumbled and lost its cadence for a time.

Just know this, my ever-cherished love and friend:
you were indeed a rainbow coming around the bend
in my once upon a time. No less.
No less.

New Poetry

New poems may now be viewed at The Poetry of William Hammett.

Book Review: Like Mayflies in a Stream

Shamhat is one the strongest female protagonists you will find in a book of fiction, but she isn’t a child of the sixties or a modern feminist. She is a priestess and servant of the goddess Inanna, tending to her temple duties in Mesopotamia in 2800 BCE. In Shauna Roberts’ Like Mayflies in a Stream, Shamhat struggles to preserve faithfulness to her goddess, a task that conflicts with the personality of King Gilgamesh, who focuses on lust and feats of strength rather than the good of his people.

Shamhat’s conflict results from two dreams, one received by Inanna’s chief priest, Nanna-Ur-Sag, and another, one received by Gilgamesh himself. From his dream, Nanna-Ur-Sag believes that a powerful man from the desert is destined to restore order, balance, and justice to Uruk. Gilgamesh, on the other hand, believes that a powerful man from the desert is destined to be the one companion strong enough to complete his restless and reckless personality.

A wild man, Enkidu, indeed lives in the desert, but to lure him into the city—Shamhat’s mission as dictated by Gilgamesh—the priestess must lose the trappings of her holy office and use her highly advanced sexual artifice, usually used only on a sacredd feast day of Inanna, to humanize Enkidu and convince him to journey from the desert to the city. If she is successful, however, will Enkidu fulfill the vision of Gilgamesh’s dream, or that of Nanna-Ur Sag’s?

A lesser writer might well have lost the narrative structure of such a novel in trying to execute a plot faithful to ancient Sumerian customs and terminology. Roberts, a PhD in anthropology with a longstanding interest in the history of the Near East, smoothly incorporates her knowledge of ancient culture into the epic struggle of a swaggering king and a priestess attempting to keep her dignity and oaths while mediating a battle between the earth and the heavens.

The novel will appeal to those who love both adventure and historical fiction. At a deeper level, the book is a fascinating and detailed character study of Shamhat as she uses humility and resolve, not combat, to retain her inner strength and core values while trying to save an entire city. Like Mayflies in a Stream (Hadley Rille Books, 2009) is an archaeologically-accurate novel that frames contemporary questions and struggles within ancient Mesopotamia. Roberts’ choice of time and place proves that the tension between integrity and power is a universal and ongoing conflict that lies at the heart of all human struggle, and, more importantly, human growth.

Mountain, Plain

For One Single Impression

The mountain peak
dreams of love on grassy plains.
The acacia dreams of heaven.

A fading face
dreams of supple lines and lips.
The child seeks pain at seven.

Meeting Mr. Tennyson

Pulp museums, anachronisms—that’s what they are,
old soldiers dressed in fine leather jackets,
guarding knowledge and admitting access
to inquisitive index fingers worn a bit from life.

I don’t recall the volume number now—
I believe it was “Teapot to Utah”—
where I met Mr. Tennyson laboring at his desk,
hunched over, old, bearded, intense.

He was writing lines for In Memoriam,
one-hundred-and-thirty-three poems
for his friend Arthur Henry Hallam
who had faded early into senseless, seamless death.

The poet no longer understood God or life,
and his midnight poems were an encyclopedia
of sadness seduced, of grief, questions,
and occasionally a mustard seed of hope.

On cold nights when bony branches tap the windowpane,
death’s raw reminder, I read Mr. Tennyson’s encyclopedia.
My index finger runs across the troubled rhyme and verse
as the furnace down below goes quietly to sleep.

I do not feel so lonely in the presence of his words.
Someone was investing ink to clarify a mind besieged,
and that is comfort enough, a distant mercy
for my winter-frozen heart to seize and keep.

When the World Goes Digital

You shall be in high definition, I suspect,
your beauty a Tibetan crystal,
clear and serene,
and only a thousand chanting monks
will have the saffron power
to make your third eye resonate.

Still, I hope you shall forgive me, love,
for what I, a farmer in some forgotten field, must do.
When the sun finds facets on your angled face,
I shall kiss the pixels of your eyes and cheeks
before stepping back in time
to a checkered shirt and denim jeans,
my proper time and place.

Doppelganger

I think that somewhere, perhaps,
against all odds, as astronomical
as a metallic man in Vegas
giving me pocket change,

my double, a ghost
in a three-piece suit,
follows me as fastidiously as a butler.
I glimpse him from the corner of my eye,

and he is briefly there,
picking up paper I dropped
or making excuses for a clumsy run-in
I had with a pedestrian.

In short, he is picking up my mess,
the inevitable dregs fallen from my life
like scales fallen from the skin of Adam.
if I turn my head sharply,

looking long and hard,
he disappears. But that is the way it is, I suppose,
when one tries to glimpse
the minions of God.

Multiply the Answer by Pigeons

(A Beat poem I wrote many years ago. Some poems should be a bit "off-center" in meaning.)

You can’t possibly tell me what’s on the fire escape
or why the old Italian woman is playing the concertina
so soon after her husband shot himself full of needles.
You can’t tell me why the Buddha hovers over the intersection
and nobody notices the quiet karma of the traffic lights.

Take any given siren.
The emergency is only speculative
from five floors up.
Maybe Macbeth has murdered Duncan in lower Manhattan.
It’s all too much.

Divide the city by two
and multiply the answer by pigeons.
All you get are repeating decimals in Central Park.

Sometimes pedestrians freeze to death
when their feet get stuck to the sidewalk.
Who can blame them in subzero?
Their color is gone by lunchtime.

The light turns green,
the siren fades,
pigeons start pecking decimals
left on the ground by school children.

I don’t especially want answers—
I want to know what causes the questions.

For example:
a fat Buddha on a silkscreen
is holding an orange.
Is he going to throw it at the Italian woman?
Does he hate the concertina?

Did you hear the one about the little old lady
looking for a book on Zen?
She goes into a bookstore,
stares at the clerk,
but doesn’t say much.

Some Other Day

There is always some other day
when the dream resting at the apex of our thoughts
finally comes to pass,
when the crippled leg grows straight,
when the woman at our subway stop
scribbles her number on a napkin
and says “yes” to the imagined date.

There is always a thick blanket of snow
after hellish summer heat
has withered longstanding desires,
its white purity unfurled like a principality’s wing.
There is always a single leaf in spring,
frail and fresh and green,
after winter has torn flesh from bone
with fingers made of sleet.

There is always some other day,
a circadian square on the calendar page
where by inches or degrees
slim hope no longer evades our reach:
the blind man once again sees.
But even if these dreams recede
and a lottery ticket doesn’t pay,
do not drive my crippled mind
from the hope of some other day.

Painting of Job: Einar Hakonarson, Creative Commons 3.0

Illusion

The world in its finery,
a kingdom of meadows
for the flowers of Solomon—

mere illusion for the wider field
where eternity tills the soil
and soul wraps its roots around God.

It Is A Fearful Thing

The evening sky is beautiful but bleak,
purple and red bruises, brutal,
blossoming on the horizon
in fatal, flayed moments of twilight.

There is nothing you or I can do
but wear heavy clothes of sackcloth and wool,
wrapping our palsied souls
in the penance of dry, broken leaves.

It is a fearful thing, I think,
to watch death painted wide
on a canvas stretched by faceless pagans
between bare branches of a failing year.

There is redemption, to be sure,
but its implausible story is written on the pages
of a calendar not yet printed.
In the spring, it will hang on a nail driven hard.

(At the risk of being redundant, Chapter and Verse will remain open even though I created Publexicon. By the way, everyone’s link on Chapter and Verse is intact and will remain so, plus I have spread a little “link juice love” by linking everyone on Publexicon as well. If I have forgotten anyone, or if the links don’t work, don’t be shy or hesitate to tell me about it.)

Pic: Copyright, William Hammett, 2007

A Pebble of Bone

There’s a man walking down the road
of gravel and regret.
Old and tired,
he’s bone-weary from miles
of hoping that his next footfall
will see a blue lake
or an early grave—
either would be okay
if he could just stop measuring time
with steps that began in Eden.

I look from my cabin window
and he is gone.
Until I look more carefully, that is,
and hear the gravel shuffled and ground
with a cadence of glaciers shaving creation down.
Like everyone before him,
he has become the road.
I go outside and pick up
a pebble of bone, a reminder
that we, too, carry the sins of the world.

Pic: Creative Commons 2.5

PS. Please note that Chapter and Verse is still open for business :)

Shauna Roberts in BARREN WORLDS anthology

I recently got a copy of Barren Worlds, published by Hadley Rille Books, which features a short story, "Elessa the Restless," by Shauna Roberts. It is a great sci-fi piece in a collection that centers on exactly what the title says: barren worlds. As the editors note, however, "barren" can mean many things. In this intriguing collection, the introduction explains that the "stories span a range of styles from dark to quirky to those of survival and escape." The common thread is that "the storytellers . . . take you into a universe devoid of something and in some cases, to places you'd best avoid." That's enough to pull me in right there.

Every story in the collection is great, and I am very impressed with Shauna's work! She's a real prose stylist. I strongly encourage those of you who like good writing and sci-fi in particular to hop over to Shauna Roberts' For Love of Words to check out her blog and a link to Barren Worlds or go straight to Amazon or Hadley Rille Books. The publisher also has many other great anthologies for sale.

Shauna always has interesting posts and does great interviews with major authors!

Pico de Arte

Thanks to Spacedlaw (Nathalie) for the Pico de Arte Award. I am honored! Thank you, Nathalie!

The criteria is as follows:

To inspire others with their creative energy and talents. This can be through writing, artwork, design, interesting material or contribution to the bigger community. It is a special honour to receive it.

I am passing this along to:

1) Lane's Write

2) Eudaemonia

3) An Innocent A-Blog

4) Murmurs

5) Writing in Faith

The badge is also in the sidebar for those who wish to grab it.

Black Satin Dress

Sorry for so few posts lately. Mea culpa. So in case anyone is still reading ... -:)

Black Satin Dress

Cosmic background radiation
crackles from the phonograph
as you dance

in a long satin dress, black,
holding scotch neat,
inviting me with your hips

to feel the irresistible pull
of dark matter
collapsing into a kiss.

A diamond needle spirals
inward to the final groove.
The only sound is a hiss.

Photo: Public Domain

If Freud Had Been An Astronomer

Okay, yes, I'm busy, but I saw this pic and decided to post a quickie. Nature has some interesting shapes, no? The shot depicts "the pillars of creation" in the Eagle Nebula. Well, I suppose creation has something to do with it.

Stone Canyons

The grimace flies by,
the trickle of pedestrians
tucked into overcoats and suspicion.

There is no conversation on the underground bullet,
Fifth Avenue a stampede of meaningless strut.
Taxis weave, leaving yellow ribbons on the street.

Hookers pose in Times Square like mannequins.
There is no life in the museum.
Freeze frame: everything is silent.

Picture: copyright, William Hammett, 2007

Review: Not Just For Vegetarians

I first learned of Not Just For Vegetarians by Geraldine Hartman when I visited her blog, Veggies, Crafts, and Tails . I’m a mediocre cook (and not a vegetarian), but I found Geraldine’s recipes quite delicious and easy to follow. There’s something for everyone in this book: muffins, scones, and breads; snacks and appetizers; soups; salads, dressings, and spreads; main dishes; family favorites; and desserts.

In the book's opening pages, Geraldine explains in clear prose why she became a vegetarian, noting ethical reasons among others. She also accurately explains how a vegetarian diet is more digestible by the human body and that a majority of world populations is vegetarian by choice. By choice, you ask! Yes, for when a vegetarian diet is practiced correctly, it does indeed provide the complete proteins that the body needs to be healthy and energetic.

The recipes are also written in an easy to understand manner, so there’s no need to be frightened if you’ve had past experiences with cookbooks that looked more like algebra than food preparation. It’s user friendly in the extreme. There’s also a glossary of terms that helps one instantly learn about the food substitutions that are a part of a vegetarian diet. Additional information is also provided so that vegans can adopt the recipes to their eating habits.

My favorite recipe since I first learned of the book has been “The Best Scalloped Potatoes.” Other favorites are “Easier-Than-Pie Veggie Pie,” “Red, White, and Black Chili,” “Veggie Pot Pie,” “Zucchini and Cheddar Fettuccini,” “Rice and Red Lentil Salad,” “Winter Harvest Soup,” and “Easy Corn Chowder.”

The above are only a few of the great choices available in Geraldine’s book. There is quite literally a recipe for any season, mood, or frame of mind, plus the recipes are good if you eat alone or are throwing a dinner party for ten.

Most importantly, these recipes are, as the title suggests, not just for vegetarians. They offer a variety of options for people who simply want to try something different or move away slightly from the “red meat mentality” that most everyone grew up with. Whatever your reason for trying out the recipes from Not Just For Vegetarians, you can be sure of two things: 1) you’ll be eating healthier, and 2) you’ll be enjoying good food that won’t leave you hungry when you get up from the table.

You may puchase the book at Amazon: Not Just For Vegetarians.

Bike Ride Around America

John Hall is a friend and former classmate of my older brother. I say “older” because, although there are only two of us, I am six years younger and much better looking. But I digress. John’s wife Jane was diagnosed with breast cancer and, thankfully, she is doing very well after a year of treatment. At 62, John is riding 12,000 miles around the perimeter of America to raise awareness about cancer and funds for cancer research. You may make donations to the Lance Armstrong Foundation or the Providence Alaska Medical Center (John is an ER physician who lives in Anchorage) or find out more about John, his odyssey, and his wife by simply visiting his blog at Bike Ride Around America . If you simply want to wish him well or offer your prayers and support, I know he would appreciate a comment on his blog. Although he has a small support team traveling with him, it’s a long journey and will take 120 days. It is John's hope that if he can save just one life by encouraging someone to get a mammogram, the ride will have been worth it. There are links to his site in the sidebar (Support Cancer Research) and link list number two. The first pic is John biking across the Mississippi River, heading into Louisiana. The second is a pic of John. Thanks all.

One Single Impression: Color

red hair on shoulders
the sun speaks copper accents
I study abroad